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Towards the middle of the semester, Mrs. B. devised an assignment where we had to act out a soliloquy from any Shakespeare play. I chose Marc Antony’s “Friends, Romans, Countrymen” speech from Julius Caesar. As we had to be in costume for extra credit, I brought a flat sheet to school to fashion into a toga of sorts. There was a supply closet in the front of the room where people could change. Boys would pretend to peek in the closet when girls were changing. There wasn’t much to see for the most part, as girls might throw a long night gown over their clothes to play Juliet. The door locked on the outside when closed completely, so the few kids with major changes could do so with some privacy.

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Realizing he wasn’t getting anywhere, Roc took to the air, flying in loops over the arena. People in the audience shielded their eyes from the sun and pointed at him, trying to keep him in their sights as his speed grew. As he built up his acceleration, he channeled mana into his right leg, and a sheath of energy enveloped eagle talons. “Decisive Divebomb,” he cast, prompting a magic circle to appear around his ankle. Beast Art, the combination of shamanism and monk magic. When he fought Aithorn, he could only use basic mana enhancement on his attacks, but by honing his monk magic by fighting Seraph over and over, his training back in the Ashok Mountains had been fruitful, and he had reached the league of true beastman warriors.