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Towards the middle of the semester, Mrs. B. devised an assignment where we had to act out a soliloquy from any Shakespeare play. I chose Marc Antony’s “Friends, Romans, Countrymen” speech from Julius Caesar. As we had to be in costume for extra credit, I brought a flat sheet to school to fashion into a toga of sorts. There was a supply closet in the front of the room where people could change. Boys would pretend to peek in the closet when girls were changing. There wasn’t much to see for the most part, as girls might throw a long night gown over their clothes to play Juliet. The door locked on the outside when closed completely, so the few kids with major changes could do so with some privacy.

Noah started with one finger, sending his mana surging through the muscle fibers, and soon could lift it. He could still feel the headband trying to restrict him, but now he could push back. He did the same to his other fingers, soon gaining full control of his hand. The effort required was considerable, but this manner of controlling his mana was not dissimilar to how he could control his clone. Rather than something he would wear like a disguise, he simply had to think of his clone as something that existed within him, under his skin.

Riko Amanai from Jujutsu Kaisen plays a crucial role in Gojo’s past, as she was the Star Plasma Vessel targeted by enemies. Her tragic story impacts Gojo’s character development significantly, adding depth to the series’ lore.