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Towards the middle of the semester, Mrs. B. devised an assignment where we had to act out a soliloquy from any Shakespeare play. I chose Marc Antony’s “Friends, Romans, Countrymen” speech from Julius Caesar. As we had to be in costume for extra credit, I brought a flat sheet to school to fashion into a toga of sorts. There was a supply closet in the front of the room where people could change. Boys would pretend to peek in the closet when girls were changing. There wasn’t much to see for the most part, as girls might throw a long night gown over their clothes to play Juliet. The door locked on the outside when closed completely, so the few kids with major changes could do so with some privacy.

Eventually, he had to stop and rest, unable to complete his workout. The fact that it was so challenging meant that he was doing something right. He assumed the lotus position on the floor and began meditating to regain his strength. Now that he was no longer moving, the crushing force of the magical restraints eased, while still keeping his mana suppressed. Curious, he decided to practice his spiritual sense training. The Harajin had a method of invisibility known as Bakudan, in which they would slow the flow of their mana, near to the point of a complete halt, and that stillness would allow them to blend in with their environment, as if reality itself had overlooked them. It also helped hone one’s awareness of the ethereal.

Next to him, Viktor was impatiently tapping his foot, and the audience was close to running out of patience. Their frustrated silence turned to cheers when Noah stepped out under the guise of Reiss. Upon seeing him, Viktor turned deathly pale, not unlike the corpse he left behind. His guilt was unquestionable.