molehog

Towards the middle of the semester, Mrs. B. devised an assignment where we had to act out a soliloquy from any Shakespeare play. I chose Marc Antony’s “Friends, Romans, Countrymen” speech from Julius Caesar. As we had to be in costume for extra credit, I brought a flat sheet to school to fashion into a toga of sorts. There was a supply closet in the front of the room where people could change. Boys would pretend to peek in the closet when girls were changing. There wasn’t much to see for the most part, as girls might throw a long night gown over their clothes to play Juliet. The door locked on the outside when closed completely, so the few kids with major changes could do so with some privacy.

A solid kick to Viktor’s balls brought him to the ground, but Noah wouldn’t let him go that easily. Several hard stomps pulverized the man’s legs, and then he seized his broken right arm and continued snapping the bones, along with his fingers. One might think the audience, having cheered through gruesome violence for fight after fight, would be overjoyed by this display of brutality, but it was the opposite. They were dead silent, feeling their earlier excitement wither with every pained howl, and when Noah twisted Viktor’s left arm until his broken bones tore through his flesh, many turned away, unable to watch anymore.

Seraph, his arm raised, slammed his fist against the ground and slowly got up. He channeled his mana to his wound, trying to repair the damage. He may have lost his might as Light’s Emissary, but his abilities, albeit weakened, remained, and new flesh slowly grew to cover the burned tissue so long as he actively focused.“No, I don’t have that right yet. I haven’t suffered enough.”