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Towards the middle of the semester, Mrs. B. devised an assignment where we had to act out a soliloquy from any Shakespeare play. I chose Marc Antony’s “Friends, Romans, Countrymen” speech from Julius Caesar. As we had to be in costume for extra credit, I brought a flat sheet to school to fashion into a toga of sorts. There was a supply closet in the front of the room where people could change. Boys would pretend to peek in the closet when girls were changing. There wasn’t much to see for the most part, as girls might throw a long night gown over their clothes to play Juliet. The door locked on the outside when closed completely, so the few kids with major changes could do so with some privacy.

Slowly, and with no shortage of effort, he began to pry off his clone, separating centimeter by centimeter. Sitting on the floor, he resembled an animal shedding its skin. Eventually, he and his clone split like dividing cells, but the seal was trying to pull them back together. Moving his clone forward felt like trying to swim upriver, and it was taking everything he had not to be pushed back, let alone advance further. However, he felt himself closing in on something, a sensation, or perhaps it could be called a state of mind. Whatever it was, it seemed to help him project his mana. If he could make this state of awareness easier to access, then his magic would surely grow much more powerful.

Her dad laughed, “That’s right, screw ‘em! But I think your friends from volleyball, at least the ones I met, do care about you. Just, sometimes people you care about can do cruel things to you without meaning to.”